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Works and Curations

About Me

 





A short bio


Rahul Bhattacharya is an educationist, art historian, and experience designer. He is currently an Associate Professor at the School of Communication Design, Unitedworld Institute of Design. Rahul has been engaged in making/curating curriculum for new courses in interdisciplinary design. He was the coordinator and curated the workshops of Ahmedabad Design Week 2020 and is a part of the Cumulus Association working group New Eating Habits, as well as a key member of the Cumulus + IxDA led PRE Days India network. 

Over the years, he has been pursuing independent writing, pursuing exhibition design, creating art education spaces, and large scale public art projects.  He was the Managing Editor of Art & Deal Magazine and the founding Conveyor MATI (Management of Art Treasures of India).  Since 2014 he is a part of the NINE Schools of Art collective working towards developing workshop-based teaching methods for art and visual theory. He has written extensively various journals and publications and maintains his blog http://theblackyellowarrow.blogspot.in/.

 Professional positions held

Curator | Director Public Outreach Coovum Art Festival – Designed the outreach program, implemented media tie partnerships, built partnerships with local artist.
Conveyor MATI (Management of Art Treasures of India) , January 2013- June 2013. Was responsible for setting up the NGO, drawing its Charter and curating the nature of programming. Also looked after MATI fund raising show and was focused on building in financial sustainability within the programming structure.
Managing Editor - Art & Deal Magazine. Since October 2009-November 2011.Was responsible for repositioning the magazine as a quarterly and then in order to rebrand the magazine for the advertisers, was responsible for their conceptualising, redesigning and launch of India’s first monthly art magazine.
May 2008 - March 2009 - Creative Publicity head for the movie Rang Rasiya
May 2006- May 2007 : Managing Editor – mattersofart.com, India's first online art magazine. As the second managing editor, gave the website a conceptual positioning and an expanded writers base.
January 2006 – May 2006: ‘Critic in Residence’ at KHOJ International Artist’s organization  


Skills & expertise

  • Team building , project managment 

  • Pedagogy development and delivery

  • Exhibition Design 

  • Research & Analysis

  • Outreach and Promotion 

Academic experience 

  • April 2017 – June 2019: Associate Professor, School of Visual Arts World University of Design, taught Art History, Aesthetics, Art and Environment, Theories of Visual Communication, Visual Space Object. Was closely associated with the branding and marketing of SVA. Initiated and actualized MOUs, started The Artist in Residency Program, initiated workshops and organised a Seminar on Higher Education in Arts.

  • February 2015 – March 2017: Visiting Faculty Department of Art History, Faculty of Fine Arts, MS University of Baroda. Taught Curatorial Practices to 4th-semester MVA.

  • February 2017 - Visiting Faculty Department of Painting, Faculty of Fine Arts, MS University of Baroda, Conceptual Art as Studio Practice - 4th Semester BVA and 2nd + 4th-semester MVA.

  • July 2006 – January 2007: ‘Visiting Faculty’ with NIFT, New Delhi, taught ‘History of Visual Culture’ to the foundation semester.

  • January 2006-March 2006: Taught Indian, Western and Comparative Oriental Aesthetics at ICG, Jaipur as Visiting Faculty-Aesthetics.

  • February 2005 - November 2006: ‘Visiting Faculty’ with NIFT, Gandhinagar. Taught courses in ‘World Art Appreciation’ for the ‘Foundation’ and ‘Aesthetics of Adornment’ for 3rd semester (Accessory Design Specialization).

  • December 2004 - October 2005: Assistant Professor (History) Gujarat National Law University. 

  •  October 2014 - July 2016: Co-Founder , Director, Nine Schools of Art, a centre that focused on producing workshop-based learning experiences around art and visual theory.. 



Exhibition Design/Curatorial Experience  



2019 – 

  • Sands of Time -  A solo exhibition by Rashmi Khurana, Art Konsult Gallery, New Delhi

  • No Child’s Play - A solo project by Indira Ghosh . Visual Arts Gallery + Open Air display, India Habitat Center , New Delhi

  • Tambulam – A solo project by Sridhar Iyer, Art Konsult Gallery, New Delhi

2018 -

  • Extending the Contemporary - A Proposition with 20 Contemporary Artists, Art Konsult Gallery, New Delhi

  • Showstopper: Fantastic Sexualities of the Mundane - Solo show by Varnita - Lalit Kala Kendra, New Delhi

2016 -

  • Before Crashing Down to Earth: - Solo show by Mansi Trivedi - Lalit Kala Kendra, Ahmedabad and Delhi

2015-

  • Barbil Public Art Project - A community-based Art Intervention at Barbil Orissa, organised by the Utsha Foundation.

  •   3  Sentences on Curation - with Prac Forum at 24 Jor Bagh, New Delhi


  • My Experiments With Truth – Solo show of Rashmi Khurana – NIV Art Center

2014 –

  • Vinita Dasgupta -Art Konsult Solo Booth at the India Art Fair

  • Friendly Strangers: Parallel Solos of Ajay Narayan and Shridhar Iyer, Niv Art Gallery

2013 –

  • The Possibility of Being, (Exploring new directions in Painting), Exhibit 320 Gallery, New Delhi

2012-

  • Mending Fences at Surat Science Center

  • One Rock, Solo Show of Deepak Tandon, Veranda8 Chicago

2011-

  • New Documents, Exploring the subjective turn in Documentary Photography; Alliance Francaise, New Delhi

  • From January 2007- January 200 11 curated a series of four exhibitions titled ‘Drifters’. The series (shown in Artist Center Mumbai, Art Konsult Delhi, and Gallery Beyond Mumbai) experimented with established notions of white cube display, sought to question the notion of emerging artists, and build an exhibition through a workshop model.

Curatorial Projects

  • 2014-2016 - Founder member of PRAC forum a collective of leading curators, writers and exhibition designers.
    2013- 2017 - Bricklayer and curatorial lead of Kolkata International Performance Art Festival 
    February 2012 - Regional Arts Performance and Events, (co curated with Samudra Kajal Saikia) , a 10 day 24 x 7  
    September 2006 - Have been involved in two large shows on Gandhi. Worked as co-curator (with Jayaram Poduwal) ‘Satyagraha Centenary - Indian and South African artists pay tribute to the spirit of Satyagraha, Tanjavore House, New Delhi,. and was the conceptual anchor for ‘Who has seen Gandhi? An exhibition of Contemporary Indian art’; Governor’s House Bangalore, October 2010.
    2007- 2009 - Curator of two ongoing public art platforms, ‘Can it be Done in Any Corner You Want’ (http://canitbedoneinanycorneryoulike.blogspot.in/,) and ‘Black Rice’ (a project exploring the role of art and culture in zones of political conflict currently focused on the North East(s) of India).

     

Papers for Seminar & Workshops  


  • ‘Future of Design Education within the Changing Cultural Economy of India’ -Humanizing Design - WDO Research and Education Committee -Hyderabad 2019

  • ‘Framing Modernist Identities, a case study of painting in Nagaland’ - Regional Modernisms and the Understanding of Ruptures in the Understanding of Modernism in Indian Art with a special focus on North East, Faculty of Fine Arts, Baroda , March 2016. 

  • ‘Conceptualising Art and Artist's Identity: Narratives of Identity in Indian Visual Art’ , Amity School Fine Arts, Noida , March 2015. 

  • ‘The Luingamla Keshan’ (Co-Presented with Zasha Cola)– Woven Tales from the North East; Morakka cultural Center, and the National Center for Performing Arts, Mumbai. June 2009 

  • ‘A Story of Magicians & Baskets: This is Not a Story – A translation of an Ao-Naga story in the form of a theoretical fiction’. Workshop on Art Research and Methodology, Shantiniketan. March 2009 

  •  ‘School textbooks and cultural modernism in India: A Sudra Critique’. ’Art History and Activism’, National Seminar Organized by the Faculty of Fine Arts, MS University of Baroda. Vadodara 2004 

  • ‘Class /Caste Locations And The History Of Pre-Modern Indian Art.’ International Seminar Organized by the dept. of English, Jaipur University, and Forum for Contemporary Thought. Jaipur 2003 

  • ‘Secularism, Censorship and the role of the Intelligentsia.’ Workshop on Law and Social Justice. Organized by Forum for Contemporary Thought. Vadodara 2003 

  • Prachin Aur Madhyakalin Bharat Ki Kala / Art of Ancient And Medieval India: Problems in Recontextulization’. National Seminar Organized by the Faculty of Fine Arts, M S University of Baroda. Vadodara 2003 

  • ‘‘Re-membering Indian Art; Plotting Journeys From Colonial Through Post-Colonial Discourses’. National Seminar Organized by the Faculty of Fine Arts, MS University of Baroda. Vadodara 2002

Research & Documentation Experience 

  • July 2004 - December 2004: Was associated with the National Institute of Design, Ahmedabad as a Research Associate for their Outreach project on Tamil Nadu handlooms. My work profile involved doing research, writing detailed archiving, motif bank generation.

  • As a holder of Nehru Trust & Victoria and Albert Museum Small Studies Research Grant for the year 2004, undertook documentation trip and researched for an independent dissertation on Locating the Modern in the visual-scapes of the temple cities in Tamilnadu: Case studies of Srirangam, /Chidambaram and Madurai. 

  • As research for Masters Dissertation (Re-Contextulising the concept and practice of Innovation in Royal Bramhanical Temple Architecture), undertook documentation trips to Badami, Pattatakal, and various sites of Tamilnadu.


Academic Publications  


  • Art in Activism – Mappings and fragments from India, Bahu Viri, July 2020

  • ‘Framing Modernist Identities, a case study of painting in Nagaland’ - Regional Modernisms and the Understanding of Ruptures in the Understanding of Modernism in Indian Art with a Special focus on North East, Lalit Kala Contemporary Art Journal, 2016

  • A Model for Hypothesising the role of Shilpins: ‘Innovation’ in Pre-Modern Brahmanical Art, ed.Sanjay Mallick, Nandan, An Annual of Art & Aesthetics; Shantiniketan, Kala Bhavan 2004 

  • An Attempt to Conceptualize the Concept and Practice of ‘Innovation’ in pre-modern Indian Art. (CD Rom). Proceedings from the Seminar ‘International Conference on Science and Humanities. Postmodernism: The Global Moment; Kogakuin University and the University of Limerick, Tokyo 2004 

  • “Pre-Modern Indian Art: Problems of Contextualization”, ed. Shivaji K. Panniker and Abha Seth, Art and Social Relations; Sadhna Press, Baroda 2004 

  • “Contextualizing the ‘Seated Man’ from Dholavira to the Body of Carved Sculptures of South Asian Protohistory”, ed. Deepak Kannal, Nirukta- Journal of Art History and Aesthetics, Under UGC/DSA, phase three; May 2004 

  • “Re-Membering Indian Art; Plotting Journeys from Colonial through Post Colonial Discourses”, ed. Shivaji K. Panniker, Parul Dave Mukherjee, Deeptha Achar, Towards a New Art History; D.K. Printworld, New Delhi, 2003 

Other Publications..


  •  Have been writings about art, education and culture in magazines such as Art India, Art &Deal Magazine, Open Magazine, Caravan and in various project blogs. 

 


  •  Have been writings about art, education and culture in magazines such as Art India, Art &Deal Magazine, Open Magazine, Caravan and in various project blogs. 

 

Honorary Positions 

 

Member Board of Studies , Faculty of Fine Arts , M S University of Baroda

 Member Board of Studies, School of Visual Arts, World University of Design

Education

 

Faculty of Fine Arts MS University of Baroda

MVA Art History with specialization in Indian Sculpture and Architecture-2004


Faculty of Fine Arts MS University of Baroda

BVA - Art History - 2002

St Xavier's College Kolkata

Higher Secondary

1994


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